FREDERIC EDWIN CHURCH - Waterval van Tequendama - Canvas Afdruk

----------------------------------------------------------------------------------𝑭𝒓𝒆𝒅𝒆𝒓𝒊𝒄 𝑬𝒅𝒘𝒊𝒏 𝑪𝒉𝒖𝒓𝒄𝒉 (𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏, 𝟏𝟖𝟐𝟔–𝟏𝟗𝟎𝟎) - 𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔, 𝑵𝒆𝒂𝒓 𝑩𝒐𝒈𝒐𝒕𝒂, 𝑵𝒆𝒘 𝑮𝒓𝒂𝒏𝒂𝒅𝒂 - 𝟏𝟖𝟓𝟒 - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎 (𝑯𝒖𝒅𝒔𝒐𝒏 𝑹𝒊𝒗𝒆𝒓 𝑺𝒄𝒉𝒐𝒐𝒍) - 𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 ---------------------------------𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔: 𝑨 𝑺𝒚𝒎𝒑𝒉𝒐𝒏𝒚 𝒐𝒇 𝑵𝒂𝒕𝒖𝒓𝒆'𝒔 𝑭𝒐𝒓𝒄𝒆𝒔. ------ 𝑰𝒏 𝒕𝒉𝒆 𝒉𝒆𝒂𝒓𝒕 𝒐𝒇 𝑵𝒆𝒘 𝑮𝒓𝒂𝒏𝒂𝒅𝒂, 𝒏𝒐𝒘 𝑪𝒐𝒍𝒐𝒎𝒃𝒊𝒂, 𝒍𝒊𝒆𝒔 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝒕𝒉𝒆 𝒓𝒂𝒘 𝒑𝒐𝒘𝒆𝒓 𝒂𝒏𝒅 𝒃𝒓𝒆𝒂𝒕𝒉𝒕𝒂𝒌𝒊𝒏𝒈 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒏𝒂𝒕𝒖𝒓𝒆—𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔, 𝒊𝒎𝒎𝒐𝒓𝒕𝒂𝒍𝒊𝒛𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕𝒓𝒚 𝒐𝒇 𝑭𝒓𝒆𝒅𝒆𝒓𝒊𝒄 𝑬𝒅𝒘𝒊𝒏 𝑪𝒉𝒖𝒓𝒄𝒉. 𝑰𝒏 𝒕𝒉𝒆 𝒚𝒆𝒂𝒓 𝟏𝟖𝟓𝟒, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒆𝒎𝒃𝒂𝒓𝒌𝒆𝒅 𝒐𝒏 𝒂 𝒕𝒓𝒂𝒏𝒔𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒗𝒆 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝑺𝒐𝒖𝒕𝒉 𝑨𝒎𝒆𝒓𝒊𝒄𝒂, 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒔𝒂𝒈𝒆 𝒂𝒅𝒗𝒊𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒈𝒓𝒆𝒂𝒕 𝒆𝒙𝒑𝒍𝒐𝒓𝒆𝒓 𝒂𝒏𝒅 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒔𝒄𝒊𝒆𝒏𝒕𝒊𝒔𝒕, 𝑨𝒍𝒆𝒙𝒂𝒏𝒅𝒆𝒓 𝒗𝒐𝒏 𝑯𝒖𝒎𝒃𝒐𝒍𝒅𝒕. 𝑫𝒓𝒂𝒘𝒏 𝒃𝒚 𝒕𝒉𝒆 𝒑𝒓𝒐𝒎𝒊𝒔𝒆 𝒐𝒇 𝒊𝒏𝒕𝒆𝒍𝒍𝒆𝒄𝒕𝒖𝒂𝒍 𝒂𝒏𝒅 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒂𝒍 𝒔𝒕𝒊𝒎𝒖𝒍𝒂𝒕𝒊𝒐𝒏 𝒂𝒎𝒊𝒅𝒔𝒕 𝒕𝒉𝒆 𝒄𝒐𝒏𝒕𝒊𝒏𝒆𝒏𝒕'𝒔 𝒖𝒏𝒑𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒆𝒅 𝒅𝒊𝒗𝒆𝒓𝒔𝒊𝒕𝒚, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒔𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒄𝒂𝒑𝒕𝒖𝒓𝒆 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒔𝒖𝒃𝒍𝒊𝒎𝒆. 𝑮𝒖𝒊𝒅𝒆𝒅 𝒃𝒚 𝒗𝒐𝒏 𝑯𝒖𝒎𝒃𝒐𝒍𝒅𝒕'𝒔 𝒃𝒆𝒍𝒊𝒆𝒇 𝒊𝒏 𝒕𝒉𝒆 𝒊𝒏𝒔𝒆𝒑𝒂𝒓𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒐𝒇 𝒔𝒄𝒊𝒆𝒏𝒕𝒊𝒇𝒊𝒄 𝒔𝒕𝒖𝒅𝒚 𝒂𝒏𝒅 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒂𝒍 𝒓𝒆𝒔𝒑𝒐𝒏𝒔𝒆 𝒕𝒐 𝒏𝒂𝒕𝒖𝒓𝒆, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒊𝒎𝒎𝒆𝒓𝒔𝒆𝒅 𝒉𝒊𝒎𝒔𝒆𝒍𝒇 𝒊𝒏 𝒕𝒉𝒆 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆𝒔 𝒕𝒉𝒂𝒕 𝒖𝒏𝒇𝒐𝒍𝒅𝒆𝒅 𝒃𝒆𝒇𝒐𝒓𝒆 𝒉𝒊𝒎. 𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔, 𝒘𝒊𝒕𝒉 𝒊𝒕𝒔 𝒎𝒂𝒋𝒆𝒔𝒕𝒊𝒄 𝒄𝒂𝒔𝒄𝒂𝒅𝒆, 𝒃𝒆𝒄𝒂𝒎𝒆 𝒂 𝒇𝒐𝒄𝒂𝒍 𝒑𝒐𝒊𝒏𝒕 𝒐𝒇 𝒉𝒊𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒇𝒂𝒍𝒍𝒔, 𝒍𝒐𝒄𝒂𝒕𝒆𝒅 𝒊𝒏 𝒂 𝒓𝒆𝒈𝒊𝒐𝒏 𝒐𝒇 𝒔𝒕𝒓𝒊𝒌𝒊𝒏𝒈 𝒈𝒆𝒐𝒍𝒐𝒈𝒊𝒄𝒂𝒍 𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒐𝒏𝒔, 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒆𝒅 𝑪𝒉𝒖𝒓𝒄𝒉'𝒔 𝒔𝒆𝒏𝒔𝒆𝒔 𝒂𝒏𝒅 𝒇𝒖𝒆𝒍𝒆𝒅 𝒉𝒊𝒔 𝒄𝒓𝒆𝒂𝒕𝒊𝒗𝒆 𝒔𝒑𝒊𝒓𝒊𝒕. 𝑨𝒔 𝒊𝒇 𝒇𝒐𝒍𝒍𝒐𝒘𝒊𝒏𝒈 𝒊𝒏 𝒕𝒉𝒆 𝒇𝒐𝒐𝒕𝒔𝒕𝒆𝒑𝒔 𝒐𝒇 𝒗𝒐𝒏 𝑯𝒖𝒎𝒃𝒐𝒍𝒅𝒕, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒎𝒂𝒓𝒗𝒆𝒍𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝒇𝒂𝒍𝒍𝒔, 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒓𝒊𝒗𝒆𝒓 𝒅𝒓𝒂𝒎𝒂𝒕𝒊𝒄𝒂𝒍𝒍𝒚 𝒃𝒓𝒐𝒌𝒆 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒂 𝒎𝒐𝒖𝒏𝒕𝒂𝒊𝒏 𝒈𝒂𝒑, 𝒑𝒍𝒖𝒏𝒈𝒊𝒏𝒈 𝟔𝟕𝟎 𝒇𝒆𝒆𝒕 𝒊𝒏 𝒂𝒏 𝒖𝒏𝒃𝒓𝒐𝒌𝒆𝒏 𝒔𝒉𝒆𝒆𝒕 𝒊𝒏𝒕𝒐 𝒂 𝒇𝒐𝒓𝒎𝒊𝒅𝒂𝒃𝒍𝒆 𝒄𝒉𝒂𝒔𝒎. 𝑻𝒉𝒆 𝒔𝒉𝒆𝒆𝒓 𝒇𝒐𝒓𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒘𝒂𝒕𝒆𝒓, 𝒅𝒆𝒔𝒄𝒓𝒊𝒃𝒆𝒅 𝒃𝒚 𝑪𝒉𝒖𝒓𝒄𝒉 𝒊𝒏 𝒂 𝒍𝒆𝒕𝒕𝒆𝒓 𝒕𝒐 𝒉𝒊𝒔 𝒎𝒐𝒕𝒉𝒆𝒓, 𝒍𝒆𝒇𝒕 𝒂𝒏 𝒊𝒏𝒅𝒆𝒍𝒊𝒃𝒍𝒆 𝒎𝒂𝒓𝒌 𝒐𝒏 𝒉𝒊𝒔 𝒊𝒎𝒂𝒈𝒊𝒏𝒂𝒕𝒊𝒐𝒏. 𝑯𝒆 𝒄𝒐𝒏𝒗𝒆𝒚𝒆𝒅 𝒉𝒊𝒔 𝒂𝒎𝒂𝒛𝒆𝒎𝒆𝒏𝒕 𝒂𝒕 𝒕𝒉𝒆 𝒇𝒂𝒍𝒍𝒔, 𝒅𝒆𝒕𝒂𝒊𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒅𝒆𝒔𝒄𝒆𝒏𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒓𝒊𝒗𝒆𝒓 𝒊𝒏 𝒂 𝒔𝒆𝒓𝒊𝒆𝒔 𝒐𝒇 𝒘𝒂𝒕𝒆𝒓𝒇𝒂𝒍𝒍𝒔 𝒂𝒏𝒅 𝒄𝒂𝒔𝒄𝒂𝒅𝒆𝒔, 𝒆𝒂𝒄𝒉 𝒄𝒐𝒏𝒕𝒓𝒊𝒃𝒖𝒕𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝒔𝒚𝒎𝒑𝒉𝒐𝒏𝒚 𝒐𝒇 𝒏𝒂𝒕𝒖𝒓𝒆'𝒔 𝒇𝒐𝒓𝒄𝒆𝒔. 𝑰𝒏 𝒉𝒊𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒑𝒊𝒆𝒄𝒆, 𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔, 𝑵𝒆𝒂𝒓 𝑩𝒐𝒈𝒐𝒕𝒂, 𝑵𝒆𝒘 𝑮𝒓𝒂𝒏𝒂𝒅𝒂, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒊𝒏𝒗𝒊𝒕𝒆𝒔 𝒕𝒉𝒆 𝒗𝒊𝒆𝒘𝒆𝒓 𝒕𝒐 𝒈𝒂𝒛𝒆 𝒖𝒑𝒘𝒂𝒓𝒅𝒔, 𝒄𝒂𝒑𝒕𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝒇𝒂𝒍𝒍𝒔 𝒃𝒂𝒕𝒉𝒆𝒅 𝒊𝒏 𝒆𝒕𝒉𝒆𝒓𝒆𝒂𝒍 𝒍𝒊𝒈𝒉𝒕. 𝑻𝒉𝒆 𝒍𝒐𝒘 𝒗𝒂𝒏𝒕𝒂𝒈𝒆 𝒑𝒐𝒊𝒏𝒕, 𝒄𝒂𝒓𝒆𝒇𝒖𝒍𝒍𝒚 𝒆𝒏𝒗𝒊𝒔𝒊𝒐𝒏𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕, 𝒊𝒏𝒕𝒆𝒏𝒔𝒊𝒇𝒊𝒆𝒔 𝒕𝒉𝒆 𝒊𝒎𝒑𝒂𝒄𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒄𝒂𝒔𝒄𝒂𝒅𝒆, 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒛𝒊𝒏𝒈 𝒊𝒕𝒔 𝒈𝒓𝒂𝒏𝒅𝒆𝒖𝒓 𝒂𝒏𝒅 𝒊𝒎𝒑𝒐𝒔𝒊𝒏𝒈 𝒑𝒓𝒆𝒔𝒆𝒏𝒄𝒆. 𝑻𝒉𝒆 𝒇𝒐𝒓𝒆𝒈𝒓𝒐𝒖𝒏𝒅 𝒅𝒆𝒑𝒊𝒄𝒕𝒔 𝒕𝒉𝒆 𝒕𝒐𝒓𝒓𝒆𝒏𝒕𝒊𝒂𝒍 𝒓𝒖𝒔𝒉 𝒐𝒇 𝒘𝒂𝒕𝒆𝒓, 𝒂 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒂𝒏𝒅 𝒆𝒗𝒆𝒓-𝒎𝒐𝒗𝒊𝒏𝒈 𝒇𝒐𝒓𝒄𝒆 𝒕𝒉𝒂𝒕 𝒔𝒉𝒂𝒑𝒆𝒔 𝒕𝒉𝒆 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆. 𝑰𝒓𝒐𝒏𝒊𝒄𝒂𝒍𝒍𝒚, 𝒕𝒐 𝒂𝒄𝒉𝒊𝒆𝒗𝒆 𝒕𝒉𝒆 𝒅𝒆𝒔𝒊𝒓𝒆𝒅 𝒑𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆, 𝑪𝒉𝒖𝒓𝒄𝒉 𝒉𝒂𝒅 𝒕𝒐 𝒄𝒐𝒏𝒇𝒓𝒐𝒏𝒕 𝒕𝒉𝒆 𝒑𝒂𝒓𝒂𝒅𝒐𝒙 𝒐𝒇 𝒂𝒍𝒕𝒆𝒓𝒊𝒏𝒈 𝒏𝒂𝒕𝒖𝒓𝒆 𝒕𝒐 𝒄𝒂𝒑𝒕𝒖𝒓𝒆 𝒊𝒕𝒔 𝒆𝒔𝒔𝒆𝒏𝒄𝒆. 𝑰𝒏 𝒕𝒉𝒆 𝒑𝒖𝒓𝒔𝒖𝒊𝒕 𝒐𝒇 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒗𝒊𝒔𝒊𝒐𝒏, 𝒉𝒆 𝒇𝒐𝒖𝒏𝒅 𝒊𝒕 𝒏𝒆𝒄𝒆𝒔𝒔𝒂𝒓𝒚 𝒕𝒐 𝒄𝒖𝒕 𝒅𝒐𝒘𝒏 𝒂 𝒏𝒖𝒎𝒃𝒆𝒓 𝒐𝒇 𝒕𝒓𝒆𝒆𝒔, 𝒂𝒏 𝒂𝒄𝒕 𝒕𝒉𝒂𝒕 𝒆𝒄𝒉𝒐𝒆𝒔 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒍𝒆𝒙 𝒓𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒉𝒖𝒎𝒂𝒏 𝒊𝒏𝒕𝒆𝒓𝒗𝒆𝒏𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒖𝒏𝒕𝒐𝒖𝒄𝒉𝒆𝒅 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒘𝒐𝒓𝒍𝒅. 𝑻𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒔𝒆𝒓𝒗𝒆𝒔 𝒂𝒔 𝒂 𝒗𝒊𝒔𝒖𝒂𝒍 𝒐𝒅𝒆 𝒕𝒐 𝒕𝒉𝒆 𝒎𝒖𝒍𝒕𝒊𝒇𝒂𝒄𝒆𝒕𝒆𝒅 𝒏𝒂𝒕𝒖𝒓𝒆 𝒐𝒇 𝒘𝒂𝒕𝒆𝒓. 𝑰𝒕 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒔 𝒕𝒉𝒆 𝒅𝒆𝒔𝒕𝒓𝒖𝒄𝒕𝒊𝒗𝒆 𝒇𝒐𝒓𝒄𝒆 𝒂𝒔 𝒕𝒉𝒆 𝒘𝒂𝒕𝒆𝒓 𝒄𝒓𝒂𝒔𝒉𝒆𝒔 𝒐𝒗𝒆𝒓 𝒓𝒐𝒄𝒌𝒔, 𝒄𝒂𝒓𝒗𝒊𝒏𝒈 𝒊𝒕𝒔 𝒑𝒂𝒕𝒉 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝒕𝒆𝒓𝒓𝒂𝒊𝒏. 𝒀𝒆𝒕, 𝒊𝒏 𝒕𝒉𝒆 𝒎𝒊𝒅𝒔𝒕 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒑𝒐𝒘𝒆𝒓, 𝒕𝒉𝒆𝒓𝒆 𝒊𝒔 𝒂 𝒈𝒆𝒏𝒆𝒓𝒂𝒕𝒊𝒗𝒆 𝒆𝒏𝒆𝒓𝒈𝒚 𝒕𝒉𝒂𝒕 𝒏𝒐𝒖𝒓𝒊𝒔𝒉𝒆𝒔 𝒍𝒊𝒇𝒆—𝒑𝒍𝒂𝒏𝒕 𝒂𝒏𝒅 𝒂𝒏𝒊𝒎𝒂𝒍 𝒂𝒍𝒊𝒌𝒆. 𝑪𝒉𝒖𝒓𝒄𝒉 𝒎𝒂𝒔𝒕𝒆𝒓𝒇𝒖𝒍𝒍𝒚 𝒄𝒂𝒑𝒕𝒖𝒓𝒆𝒔 𝒕𝒉𝒆 𝒅𝒖𝒂𝒍 𝒏𝒂𝒕𝒖𝒓𝒆 𝒐𝒇 𝒘𝒂𝒕𝒆𝒓, 𝒊𝒍𝒍𝒖𝒔𝒕𝒓𝒂𝒕𝒊𝒏𝒈 𝒊𝒕𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒃𝒐𝒕𝒉 𝒔𝒄𝒖𝒍𝒑𝒕 𝒕𝒉𝒆 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒂𝒏𝒅 𝒔𝒖𝒔𝒕𝒂𝒊𝒏 𝒕𝒉𝒆 𝒊𝒏𝒕𝒓𝒊𝒄𝒂𝒕𝒆 𝒘𝒆𝒃 𝒐𝒇 𝒍𝒊𝒇𝒆 𝒘𝒊𝒕𝒉𝒊𝒏 𝒊𝒕. 𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔 𝒊𝒔 𝒎𝒐𝒓𝒆 𝒕𝒉𝒂𝒏 𝒂 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆; 𝒊𝒕 𝒊𝒔 𝒂 𝒄𝒂𝒏𝒗𝒂𝒔 𝒂𝒍𝒊𝒗𝒆 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒊𝒏𝒕𝒆𝒓𝒑𝒍𝒂𝒚 𝒐𝒇 𝒇𝒐𝒓𝒄𝒆𝒔—𝒍𝒊𝒈𝒉𝒕 𝒂𝒏𝒅 𝒔𝒉𝒂𝒅𝒐𝒘, 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒂𝒏𝒅 𝒔𝒕𝒊𝒍𝒍𝒏𝒆𝒔𝒔, 𝒄𝒓𝒆𝒂𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒕𝒓𝒂𝒏𝒔𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒐𝒏. 𝑪𝒉𝒖𝒓𝒄𝒉, 𝒈𝒖𝒊𝒅𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒔𝒑𝒊𝒓𝒊𝒕 𝒐𝒇 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒂 𝒓𝒆𝒗𝒆𝒓𝒆𝒏𝒄𝒆 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒔𝒖𝒃𝒍𝒊𝒎𝒆, 𝒊𝒏𝒗𝒊𝒕𝒆𝒔 𝒖𝒔 𝒕𝒐 𝒔𝒕𝒂𝒏𝒅 𝒂𝒕 𝒕𝒉𝒆 𝒑𝒓𝒆𝒄𝒊𝒑𝒊𝒄𝒆 𝒐𝒇 𝑻𝒆𝒒𝒖𝒆𝒏𝒅𝒂𝒎𝒂 𝑭𝒂𝒍𝒍𝒔 𝒂𝒏𝒅 𝒘𝒊𝒕𝒏𝒆𝒔𝒔 𝒕𝒉𝒆 𝒕𝒊𝒎𝒆𝒍𝒆𝒔𝒔 𝒅𝒊𝒂𝒍𝒐𝒈𝒖𝒆 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒕𝒉𝒆 𝒆𝒍𝒆𝒎𝒆𝒏𝒕𝒔, 𝒘𝒉𝒆𝒓𝒆 𝒏𝒂𝒕𝒖𝒓𝒆'𝒔 𝒔𝒚𝒎𝒑𝒉𝒐𝒏𝒚 𝒖𝒏𝒇𝒐𝒍𝒅𝒔 𝒊𝒏 𝒃𝒓𝒆𝒂𝒕𝒉𝒕𝒂𝒌𝒊𝒏𝒈 𝒉𝒂𝒓𝒎𝒐𝒏𝒚.