
€ 403,00
per canvas
F. C. COWPER Venetiaanse dames die naar een serena Canvas Afdruk
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F. C. COWPER Venetiaanse dames die naar een serena Canvas Afdruk
----------------------------------------------------------------------------------𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓 (𝑩𝒓𝒊𝒕𝒊𝒔𝒉, 𝟏𝟖𝟕𝟕-𝟏𝟗𝟓𝟖) - 𝑽𝒆𝒏𝒆𝒕𝒊𝒂𝒏 𝑳𝒂𝒅𝒊𝒆𝒔 𝑳𝒊𝒔𝒕𝒆𝒏𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝑺𝒆𝒓𝒆𝒏𝒂𝒅𝒆 𝒐𝒏 𝒕𝒉𝒆 𝑮𝒓𝒂𝒏𝒅 𝑪𝒂𝒏𝒂𝒍 - 𝟏𝟗𝟎𝟗 - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎, 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔 - 𝑷𝒐𝒓𝒕𝒓𝒂𝒊𝒕 - 𝒐𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 ---------------------------------𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓 𝒊𝒔 𝒄𝒆𝒍𝒆𝒃𝒓𝒂𝒕𝒆𝒅 𝒇𝒐𝒓 𝒉𝒊𝒔 𝒇𝒍𝒂𝒊𝒓 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒅𝒓𝒂𝒎𝒂𝒕𝒊𝒄 𝒂𝒏𝒅 𝒉𝒊𝒔 𝒊𝒎𝒑𝒂𝒄𝒕𝒇𝒖𝒍 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏𝒔. 𝑯𝒆 𝒘𝒂𝒔 𝒂𝒏 𝒂𝒄𝒄𝒐𝒎𝒑𝒍𝒊𝒔𝒉𝒆𝒅 𝒊𝒍𝒍𝒖𝒔𝒕𝒓𝒂𝒕𝒐𝒓 𝒂𝒏𝒅 𝒘𝒆𝒍𝒍 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚, 𝒂𝒏𝒅 𝒘𝒉𝒊𝒍𝒆 𝒉𝒆 𝒊𝒔 𝒔𝒐𝒎𝒆𝒕𝒊𝒎𝒆𝒔 𝒅𝒆𝒔𝒄𝒓𝒊𝒃𝒆𝒅 𝒂𝒔 “𝒕𝒉𝒆 𝒍𝒂𝒔𝒕 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆,” 𝒉𝒊𝒔 𝒃𝒓𝒐𝒂𝒅 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒖𝒔𝒆 𝒐𝒇 𝒂𝒏𝒂𝒄𝒉𝒓𝒐𝒏𝒊𝒔𝒕𝒊𝒄 𝒊𝒎𝒂𝒈𝒆𝒓𝒚 𝒊𝒏 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒚 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 𝒂𝒍𝒔𝒐 𝒊𝒏𝒗𝒊𝒕𝒆𝒔 𝒄𝒐𝒎𝒑𝒂𝒓𝒊𝒔𝒐𝒏 𝒕𝒐 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒂𝒓𝒕𝒊𝒔𝒕𝒔 𝒔𝒖𝒄𝒉 𝒂𝒔 𝑴𝒂𝒙𝒇𝒊𝒆𝒍𝒅 𝑷𝒂𝒓𝒓𝒊𝒔𝒉 𝒐𝒓 𝑵. 𝑪. 𝑾𝒚𝒆𝒕𝒉. 𝑪𝒐𝒘𝒑𝒆𝒓 𝒆𝒏𝒓𝒐𝒍𝒍𝒆𝒅 𝒂𝒕 𝑺𝒕. 𝑱𝒐𝒉𝒏’𝒔 𝑾𝒐𝒐𝒅 𝑨𝒓𝒕 𝑺𝒄𝒉𝒐𝒐𝒍 𝒊𝒏 𝟏𝟖𝟗𝟔 𝒂𝒏𝒅 𝑳𝒐𝒏𝒅𝒐𝒏’𝒔 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚 𝒂 𝒚𝒆𝒂𝒓 𝒍𝒂𝒕𝒆𝒓, 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒓𝒆𝒕𝒓𝒐𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝑭𝒐𝒓𝒅 𝑴𝒂𝒅𝒐𝒙 𝑩𝒓𝒐𝒘𝒏 𝒊𝒏 𝟏𝟖𝟗𝟔 𝒂𝒏𝒅 𝑺𝒊𝒓 𝑱𝒐𝒉𝒏 𝑬𝒗𝒆𝒓𝒆𝒕𝒕 𝑴𝒊𝒍𝒍𝒂𝒊𝒔 𝒂𝒏𝒅 𝑫𝒂𝒏𝒕𝒆 𝑮𝒂𝒃𝒓𝒊𝒆𝒍 𝑹𝒐𝒔𝒔𝒆𝒕𝒕𝒊 𝒊𝒏 𝟏𝟖𝟗𝟖 𝒘𝒐𝒖𝒍𝒅 𝒉𝒂𝒗𝒆 𝒂 𝒑𝒓𝒐𝒇𝒐𝒖𝒏𝒅 𝒊𝒎𝒑𝒂𝒄𝒕 𝒐𝒏 𝒕𝒉𝒆 𝒚𝒐𝒖𝒏𝒈 𝒂𝒓𝒕𝒊𝒔𝒕’𝒔 𝒅𝒆𝒗𝒆𝒍𝒐𝒑𝒎𝒆𝒏𝒕. 𝑻𝒉𝒆 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔 𝒊𝒔 𝒆𝒗𝒊𝒅𝒆𝒏𝒕 𝒊𝒏 𝑽𝒆𝒏𝒆𝒕𝒊𝒂𝒏 𝑳𝒂𝒅𝒊𝒆𝒔 𝑳𝒊𝒔𝒕𝒆𝒏𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝑺𝒆𝒓𝒆𝒏𝒂𝒅𝒆, 𝒉𝒊𝒔 𝟏𝟗𝟎𝟗 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚 𝒔𝒖𝒃𝒎𝒊𝒔𝒔𝒊𝒐𝒏, 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒓𝒆𝒆 𝒃𝒆𝒂𝒖𝒕𝒊𝒇𝒖𝒍 𝒚𝒐𝒖𝒏𝒈 𝒘𝒐𝒎𝒆𝒏 𝒂𝒓𝒆 𝒂𝒓𝒓𝒂𝒏𝒈𝒆𝒅 𝒐𝒏 𝒂 𝒃𝒂𝒍𝒄𝒐𝒏𝒚 𝒂𝒔 𝒊𝒇 𝒊𝒕 𝒘𝒆𝒓𝒆 𝒂 𝒔𝒕𝒂𝒈𝒆. 𝑯𝒆𝒓𝒆, 𝑪𝒐𝒘𝒑𝒆𝒓 𝒑𝒂𝒚𝒔 𝒉𝒐𝒎𝒂𝒈𝒆 𝒕𝒐 𝒐𝒏𝒆 𝒐𝒇 𝒉𝒊𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒔, 𝒂𝒔 𝒕𝒉𝒆 𝒇𝒊𝒈𝒖𝒓𝒆 𝒂𝒕 𝒓𝒊𝒈𝒉𝒕 𝒘𝒉𝒐 𝒑𝒂𝒔𝒔𝒆𝒔 𝒂 𝒄𝒐𝒎𝒃 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒉𝒆𝒓 𝒍𝒐𝒏𝒈 𝒓𝒆𝒅 𝒉𝒂𝒊𝒓 𝒃𝒐𝒓𝒓𝒐𝒘𝒔 𝒅𝒊𝒓𝒆𝒄𝒕𝒍𝒚 𝒇𝒓𝒐𝒎 𝑹𝒐𝒔𝒔𝒆𝒕𝒕𝒊’𝒔 𝒊𝒄𝒐𝒏𝒊𝒄 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝑳𝒂𝒅𝒚 𝑳𝒊𝒍𝒊𝒕𝒉 (𝟏𝟖𝟔𝟔-𝟔𝟖, 𝒂𝒍𝒕𝒆𝒓𝒆𝒅 𝟏𝟖𝟕𝟐-𝟕𝟑). 𝑪𝒐𝒘𝒑𝒆𝒓 𝒂𝒍𝒔𝒐 𝒇𝒓𝒆𝒒𝒖𝒆𝒏𝒕𝒍𝒚 𝒅𝒓𝒆𝒘 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑰𝒕𝒂𝒍𝒊𝒂𝒏 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆, 𝒘𝒉𝒊𝒄𝒉 𝒄𝒂𝒏 𝒃𝒆 𝒔𝒆𝒆𝒏 𝒊𝒏 𝒉𝒊𝒔 𝟏𝟗𝟎𝟕 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚 𝒔𝒖𝒃𝒎𝒊𝒔𝒔𝒊𝒐𝒏, 𝑽𝒂𝒏𝒊𝒕𝒚 (𝟏𝟗𝟎𝟕), 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒎𝒐𝒅𝒆𝒍’𝒔 𝒈𝒐𝒍𝒅 𝒂𝒏𝒅 𝒃𝒍𝒂𝒄𝒌 𝒅𝒓𝒆𝒔𝒔 𝒐𝒇 𝒆𝒍𝒂𝒃𝒐𝒓𝒂𝒕𝒆 𝒔𝒆𝒓𝒑𝒆𝒏𝒕𝒊𝒏𝒆 𝒅𝒆𝒔𝒊𝒈𝒏 𝒊𝒔 𝒂𝒍𝒔𝒐 𝒘𝒐𝒓𝒏 𝒃𝒚 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒇𝒊𝒈𝒖𝒓𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒓𝒆𝒔𝒆𝒏𝒕 𝒘𝒐𝒓𝒌. 𝑻𝒉𝒆 𝒄𝒉𝒐𝒊𝒄𝒆 𝒎𝒂𝒚 𝒉𝒂𝒗𝒆 𝒃𝒆𝒆𝒏 𝒊𝒏𝒇𝒐𝒓𝒎𝒆𝒅 𝒃𝒚 𝑬𝒅𝒘𝒂𝒓𝒅 𝑩𝒖𝒓𝒏𝒆-𝑱𝒐𝒏𝒆𝒔 𝒂𝒔 𝒕𝒉𝒆 𝒄𝒐𝒔𝒕𝒖𝒎𝒆 𝒅𝒆𝒔𝒊𝒈𝒏 𝒂𝒑𝒑𝒆𝒂𝒓𝒔 𝒊𝒏 𝒉𝒊𝒔 𝒘𝒂𝒕𝒆𝒓𝒄𝒐𝒍𝒐𝒓, 𝑺𝒊𝒅𝒐𝒏𝒊𝒂 𝒗𝒐𝒏 𝑩𝒐𝒓𝒌 (𝟏𝟖𝟔𝟎), 𝒘𝒉𝒊𝒄𝒉 𝒅𝒓𝒆𝒘 𝒐𝒏 𝑮𝒊𝒖𝒍𝒊𝒐 𝑹𝒐𝒎𝒂𝒏𝒐'𝒔 𝑷𝒐𝒓𝒕𝒓𝒂𝒊𝒕 𝒐𝒇 𝑰𝒔𝒂𝒃𝒆𝒍𝒍𝒂 𝒅'𝑬𝒔𝒕𝒆 (𝒄𝒊𝒓𝒄𝒂 𝟏𝟓𝟑𝟏) 𝒇𝒐𝒓 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏. 𝑫𝒆𝒕𝒂𝒊𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒍𝒖𝒙𝒖𝒓𝒊𝒐𝒖𝒔 𝒕𝒆𝒙𝒕𝒊𝒍𝒆𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒇𝒊𝒈𝒖𝒓𝒆𝒔’ 𝒈𝒐𝒘𝒏𝒔, 𝒂𝒔 𝒘𝒆𝒍𝒍 𝒂𝒔 𝒕𝒉𝒆 𝒌𝒊𝒍𝒊𝒎 𝒓𝒖𝒈 𝒉𝒖𝒏𝒈 𝒐𝒗𝒆𝒓 𝒕𝒉𝒆 𝒃𝒂𝒍𝒖𝒔𝒕𝒓𝒂𝒅𝒆, 𝒇𝒂𝒊𝒆𝒏𝒄𝒆 𝒕𝒊𝒍𝒆 𝒇𝒍𝒐𝒐𝒓 𝒂𝒏𝒅 𝑯𝒊𝒔𝒑𝒂𝒏𝒐 𝑴𝒐𝒓𝒆𝒔𝒒𝒖𝒆 𝒍𝒖𝒔𝒕𝒆𝒓𝒘𝒂𝒓𝒆 𝒂𝒍𝒃𝒂𝒓𝒆𝒍𝒍𝒐 𝒘𝒊𝒕𝒉 𝒇𝒍𝒐𝒘𝒆𝒓𝒔, 𝒆𝒄𝒉𝒐𝒆𝒔 𝒕𝒉𝒆 𝒓𝒆𝒏𝒆𝒘𝒆𝒅 𝒊𝒏𝒕𝒆𝒓𝒆𝒔𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒂𝒑𝒑𝒍𝒊𝒆𝒅 𝒂𝒓𝒕𝒔 𝒂𝒏𝒅 𝒄𝒓𝒂𝒇𝒕𝒔 𝒘𝒉𝒊𝒄𝒉 𝒆𝒎𝒆𝒓𝒈𝒆𝒅 𝒊𝒏 𝒍𝒂𝒕𝒆 𝒏𝒊𝒏𝒆𝒕𝒆𝒆𝒏𝒕𝒉 𝒄𝒆𝒏𝒕𝒖𝒓𝒚 𝑩𝒓𝒊𝒕𝒊𝒔𝒉 𝒂𝒓𝒕. 𝑾𝒉𝒆𝒏 𝒕𝒉𝒆 𝒑𝒓𝒆𝒔𝒆𝒏𝒕 𝒘𝒐𝒓𝒌 𝒘𝒂𝒔 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚, 𝒄𝒓𝒊𝒕𝒊𝒄𝒔 𝒐𝒃𝒔𝒆𝒓𝒗𝒆𝒅 𝒕𝒉𝒂𝒕 "𝒕𝒉𝒊𝒔 𝒖𝒔𝒆 𝒐𝒇 [𝒅𝒓𝒂𝒎𝒂𝒕𝒊𝒄 𝒍𝒐𝒄𝒂𝒍] 𝒄𝒐𝒍𝒐𝒓 𝒊𝒔 𝒘𝒆𝒍𝒍 𝒆𝒏𝒐𝒖𝒈𝒉 𝒊𝒏 𝒕𝒉𝒆 𝒑𝒍𝒂𝒄𝒆 𝒊𝒏 𝒔𝒖𝒄𝒉 𝒂 𝒑𝒊𝒄𝒕𝒖𝒓𝒆 𝒂𝒔 𝑴𝒓. 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓'𝒔 𝑽𝒆𝒏𝒆𝒕𝒊𝒂𝒏 𝑳𝒂𝒅𝒊𝒆𝒔 𝑳𝒊𝒔𝒕𝒆𝒏𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝑺𝒆𝒓𝒆𝒏𝒂𝒅𝒆, 𝒕𝒉𝒆 𝒄𝒍𝒆𝒂𝒓𝒍𝒚 𝒅𝒆𝒇𝒊𝒏𝒆𝒅 𝒅𝒊𝒇𝒇𝒆𝒓𝒆𝒏𝒄𝒆𝒔 𝒐𝒇 𝒉𝒖𝒆 𝒆𝒏𝒉𝒂𝒏𝒄𝒊𝒏𝒈 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒊𝒏𝒔𝒕𝒂𝒏𝒄𝒆 𝒕𝒉𝒆 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒊𝒎𝒎𝒐𝒃𝒊𝒍𝒊𝒕𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒊𝒔𝒕𝒆𝒏𝒆𝒓𝒔. 𝑻𝒉𝒆 𝒎𝒂𝒔𝒔𝒆𝒔 𝒐𝒇 𝒘𝒂𝒓𝒎 𝒄𝒐𝒍𝒐𝒖𝒓 𝒕𝒐 𝒕𝒉𝒆 𝒍𝒆𝒇𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏 𝒂𝒓𝒆 𝒉𝒂𝒏𝒅𝒔𝒐𝒎𝒆 𝒂𝒏𝒅 𝒔𝒑𝒍𝒆𝒏𝒅𝒊𝒅... 𝑭𝒊𝒏𝒆𝒓𝒚 𝒔𝒆𝒆𝒎𝒔 𝒊𝒏 𝒊𝒏𝒄𝒓𝒆𝒂𝒔𝒊𝒏𝒈 𝒅𝒆𝒈𝒓𝒆𝒆 𝒐𝒇 𝒑𝒓𝒆𝒐𝒄𝒄𝒖𝒑𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝑴𝒓. 𝑪𝒐𝒘𝒑𝒆𝒓"
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Product ID: 256532867312131382
Ontworpen op: 20-2-2024 5:46
Rating: G
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