J. P. - NUMMER 9 - 1951 - Zwarte gietingen - Canvas Afdruk

-----------------------------------------------------------------------------------J. P. (American, 1912-1956) - NUMBER 9 - 1951 - Black Pourings art period - Abstract Expressionism, Figurative, Surrealism - Enamel on canvas - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 ------------------------------------------ "𝑵𝒖𝒎𝒃𝒆𝒓 𝟗" (𝟏𝟗𝟓𝟏), 𝒑𝒂𝒓𝒕 𝒐𝒇 𝑱. 𝑷.'𝒔 𝑩𝒍𝒂𝒄𝒌 𝑷𝒐𝒖𝒓𝒊𝒏𝒈𝒔 𝒂𝒓𝒕 𝒑𝒆𝒓𝒊𝒐𝒅, 𝒐𝒇𝒇𝒆𝒓𝒔 𝒂 𝒅𝒆𝒑𝒂𝒓𝒕𝒖𝒓𝒆 𝒇𝒓𝒐𝒎 𝑱. 𝑷.'𝒔 𝒎𝒐𝒓𝒆 𝒓𝒆𝒏𝒐𝒘𝒏𝒆𝒅 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒛𝒆𝒅 𝒃𝒚 𝒕𝒉𝒊𝒄𝒌, 𝒐𝒗𝒆𝒓𝒍𝒂𝒑𝒑𝒊𝒏𝒈 𝒘𝒆𝒃𝒔 𝒐𝒇 𝒄𝒐𝒍𝒐𝒓 𝒕𝒉𝒂𝒕 𝒄𝒐𝒗𝒆𝒓 𝒕𝒉𝒆 𝒆𝒏𝒕𝒊𝒓𝒆 𝒄𝒂𝒏𝒗𝒂𝒔. 𝑰𝒏 𝒕𝒉𝒊𝒔 𝒔𝒆𝒓𝒊𝒆𝒔, 𝒕𝒉𝒆 𝒃𝒍𝒂𝒄𝒌 𝒑𝒐𝒖𝒓𝒊𝒏𝒈𝒔 𝒓𝒆𝒗𝒆𝒂𝒍 𝒎𝒖𝒄𝒉 𝒐𝒇 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔, 𝒂𝒔 𝑱. 𝑷. 𝒅𝒓𝒊𝒑𝒔 𝒂𝒏𝒅 𝒇𝒍𝒊𝒄𝒌𝒔 𝒕𝒉𝒊𝒏𝒏𝒆𝒅-𝒐𝒖𝒕 𝒆𝒏𝒂𝒎𝒆𝒍 𝒐𝒏𝒕𝒐 𝒖𝒏𝒑𝒓𝒊𝒎𝒆𝒅 𝒔𝒖𝒓𝒇𝒂𝒄𝒆𝒔, 𝒆𝒙𝒑𝒍𝒐𝒓𝒊𝒏𝒈 𝒑𝒐𝒊𝒏𝒕𝒔 𝒐𝒇 𝒄𝒐𝒏𝒕𝒂𝒄𝒕 𝒘𝒉𝒆𝒓𝒆 𝒑𝒂𝒊𝒏𝒕 𝒔𝒆𝒆𝒑𝒔 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔. 𝑰𝒏 "𝑵𝒖𝒎𝒃𝒆𝒓 𝟗," 𝑱. 𝑷. 𝒆𝒎𝒑𝒍𝒐𝒚𝒔 𝒂 𝒅𝒊𝒗𝒆𝒓𝒔𝒆 𝒂𝒓𝒓𝒂𝒚 𝒐𝒇 𝒍𝒊𝒏𝒆𝒔, 𝒕𝒉𝒊𝒄𝒌𝒏𝒆𝒔𝒔𝒆𝒔, 𝒔𝒉𝒂𝒑𝒆𝒔, 𝒂𝒏𝒅 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕𝒔, 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒊𝒏𝒈 𝒎𝒐𝒎𝒆𝒏𝒕𝒔 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒊𝒏 𝒂𝒏𝒅 𝒕𝒉𝒊𝒄𝒌 𝒎𝒆𝒆𝒕, 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂 𝒗𝒊𝒔𝒖𝒂𝒍 𝒕𝒂𝒑𝒆𝒔𝒕𝒓𝒚. 𝑨𝒍𝒕𝒉𝒐𝒖𝒈𝒉 𝒑𝒓𝒆𝒅𝒐𝒎𝒊𝒏𝒂𝒏𝒕𝒍𝒚 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕, 𝒂𝒏𝒕𝒉𝒓𝒐𝒑𝒐𝒎𝒐𝒓𝒑𝒉𝒊𝒄 𝒊𝒎𝒂𝒈𝒆𝒔 𝒆𝒎𝒆𝒓𝒈𝒆 𝒖𝒑𝒐𝒏 𝒄𝒍𝒐𝒔𝒆𝒓 𝒊𝒏𝒔𝒑𝒆𝒄𝒕𝒊𝒐𝒏, 𝒔𝒖𝒄𝒉 𝒂𝒔 𝒂 𝒍𝒂𝒓𝒈𝒆 𝒇𝒐𝒓𝒆𝒂𝒓𝒎 𝒂𝒏𝒅 𝒄𝒍𝒆𝒏𝒄𝒉𝒆𝒅 𝒇𝒊𝒔𝒕 𝒂𝒕 𝒕𝒉𝒆 𝒃𝒐𝒕𝒕𝒐𝒎, 𝒂 𝒔𝒕𝒚𝒍𝒊𝒛𝒆𝒅 𝒂𝒍𝒊𝒆𝒏𝒆𝒔𝒒𝒖𝒆 𝒉𝒆𝒂𝒅 𝒘𝒊𝒕𝒉 𝒔𝒉𝒐𝒖𝒍𝒅𝒆𝒓𝒔, 𝒂𝒓𝒎, 𝒂𝒏𝒅 𝒉𝒂𝒏𝒅, 𝒂𝒏𝒅 𝒔𝒆𝒗𝒆𝒓𝒂𝒍 𝒉𝒂𝒖𝒏𝒕𝒊𝒏𝒈 𝒇𝒂𝒄𝒆𝒔 𝒔𝒆𝒆𝒎𝒊𝒏𝒈𝒍𝒚 𝒇𝒓𝒐𝒛𝒆𝒏 𝒎𝒊𝒅-𝒔𝒄𝒓𝒆𝒂𝒎. 𝑼𝒏𝒍𝒊𝒌𝒆 𝑱. 𝑷.'𝒔 𝒆𝒂𝒓𝒍𝒊𝒆𝒓 𝒘𝒐𝒓𝒌𝒔 𝒕𝒉𝒂𝒕 𝒇𝒖𝒍𝒍𝒚 𝒄𝒐𝒗𝒆𝒓𝒆𝒅 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔, 𝒕𝒉𝒆 𝒃𝒍𝒂𝒄𝒌 𝒑𝒐𝒖𝒓𝒊𝒏𝒈𝒔 𝒂𝒍𝒍𝒐𝒘 𝒇𝒐𝒓 𝒂 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒔𝒑𝒂𝒄𝒆 𝒂𝒏𝒅 𝒕𝒊𝒎𝒆, 𝒆𝒙𝒑𝒆𝒓𝒊𝒎𝒆𝒏𝒕𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝒕𝒉𝒊𝒏𝒏𝒆𝒅 𝒑𝒂𝒊𝒏𝒕, 𝒄𝒐𝒍𝒐𝒓, 𝒂𝒏𝒅 𝒄𝒂𝒏𝒗𝒂𝒔. 𝑻𝒉𝒊𝒔 𝒄𝒐𝒏𝒕𝒓𝒐𝒍𝒍𝒆𝒅 𝒔𝒑𝒐𝒏𝒕𝒂𝒏𝒆𝒊𝒕𝒚 𝒐𝒇 "𝑵𝒖𝒎𝒃𝒆𝒓 𝟗" 𝒆𝒙𝒖𝒅𝒆𝒔 𝒂 𝒉𝒚𝒑𝒏𝒐𝒕𝒊𝒄 𝒂𝒏𝒅 𝒅𝒊𝒔𝒕𝒖𝒓𝒃𝒊𝒏𝒈 𝒊𝒏𝒕𝒆𝒏𝒔𝒊𝒕𝒚. 𝑾𝒉𝒊𝒍𝒆 𝒎𝒂𝒏𝒚 𝒃𝒍𝒂𝒄𝒌 𝒑𝒐𝒖𝒓𝒊𝒏𝒈𝒔 𝒓𝒆𝒎𝒂𝒊𝒏 𝒖𝒏𝒕𝒊𝒕𝒍𝒆𝒅, 𝒔𝒐𝒎𝒆, 𝒍𝒊𝒌𝒆 "𝑵𝒖𝒎𝒃𝒆𝒓 𝟗," 𝒑𝒓𝒐𝒗𝒊𝒅𝒆 𝒂𝒏𝒕𝒉𝒓𝒐𝒑𝒐𝒄𝒆𝒏𝒕𝒓𝒊𝒄 𝒔𝒖𝒃𝒕𝒊𝒕𝒍𝒆𝒔 𝒔𝒖𝒄𝒉 𝒂𝒔 "𝑭𝒓𝒐𝒈𝒎𝒂𝒏" 𝒂𝒏𝒅 "𝑬𝒍𝒆𝒈𝒂𝒏𝒕 𝑳𝒂𝒅𝒚," 𝒆𝒄𝒉𝒐𝒊𝒏𝒈 𝑱. 𝑷.'𝒔 𝒔𝒖𝒓𝒓𝒆𝒂𝒍𝒊𝒔𝒕-𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒘𝒐𝒓𝒌𝒔 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒆𝒂𝒓𝒍𝒚 𝟏𝟗𝟒𝟎𝒔. 𝑪𝒓𝒊𝒕𝒊𝒄𝒔, 𝒉𝒐𝒘𝒆𝒗𝒆𝒓, 𝒗𝒊𝒆𝒘𝒆𝒅 𝒕𝒉𝒊𝒔 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒉𝒖𝒎𝒂𝒏 𝒇𝒊𝒈𝒖𝒓𝒆 𝒂𝒔 𝒂 𝒕𝒉𝒆𝒐𝒓𝒆𝒕𝒊𝒄𝒂𝒍 𝒓𝒆𝒈𝒓𝒆𝒔𝒔𝒊𝒐𝒏, 𝒑𝒐𝒕𝒆𝒏𝒕𝒊𝒂𝒍𝒍𝒚 𝒖𝒏𝒅𝒆𝒓𝒎𝒊𝒏𝒊𝒏𝒈 𝒕𝒉𝒆 𝒔𝒕𝒓𝒊𝒅𝒆𝒔 𝑱. 𝑷. 𝒎𝒂𝒅𝒆 𝒊𝒏 𝒂𝒅𝒗𝒂𝒏𝒄𝒊𝒏𝒈 𝒕𝒉𝒆 𝒂𝒓𝒕 𝒇𝒐𝒓𝒎 𝒊𝒏𝒕𝒐 𝒄𝒐𝒎𝒑𝒍𝒆𝒕𝒆 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒉𝒊𝒔 𝒆𝒂𝒓𝒍𝒊𝒆𝒓 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔.